For the Love of a Turban Squash and the Studio Stroll.
Twice yearly in Asheville, a grand event called the Studio Stroll happens. For two days (and really this event begins the day before, on Friday, when collectors and devoted locals pop in to see their favorite artists’ studios before the throngs set in at 10 the next morning) thousands (!) of people get out of their cars and prowl the studios of the 150 or so artists working in the district. It is amazing, really. Amazing that for two days, a working neighborhood magically becomes (by a good 3 days of thorough scrubbing and artistic red-carpet rolling) a buzzing, mobbed shopping mall of completely handmade, one-of-a-kind objets d’art.
The other special thing about the studio stroll, to me, is that you get to see artworks in the space where they were created. You know how you get a whole new sense of someone when you see inside their home for the first time? Well, it’s the same for a work of art or craft. To see the space in which a painting was created gives me so many more layers of understanding into the piece, not to mention the painter. I treasure this suitcase full of knowing, of seeing deeply into the heart of a thing.
And this doesn’t even begin to describe the thrill, for me as an artist, to get to have unmediated and immediate feedback about the work I do from people of all stripes— from collectors to curious lookers. Talk about insight! Even more than that, I cherish knowing the folks who for whatever reason fall in love with a painting I’ve made and take it home. I could write a hundred thankyou notes and send up a hundred grateful smoke signals to these beloved people and I still wouldn’t feel satisfied that I have conveyed how important they and their decision to buy my work are to me.
Although I’m far less involved in the Stroll than I used to be (in the time before parenthood known in my house as “P.J.”), I still get a charge the week before the big event. It’s like nesting, but for artists. I put all other chores/obligations/everything aside for a week and just paint. It is the most delicious week of the whole year for me. Something about the energy of the event, the anticipation of folks coming all the way from wherever to see our work, offers a sparkly, starry elixir that makes these two weeks my most creative and productive of the whole year.
So here’s a smoke signal to the god of that special relationship between people who make art and people who like to look at art: I am so grateful, grateful, grateful…



